What is Anti-solo?
1.
The term "anti-solo" has taken on separate meanings from era to era. The generally agreed-upon definition of an anti-solo is a musical sequence showcasing one particular instrument that rejects traditional musical theory, advanced methods, and/or pre-meditated coordination.
An anti-solo should not be confused with an improvised solo that utilizes traditional scales and theory (either consciously or inadvertently). What characterizes an anti-solo is either a very chaotic overtone or a stripped-down bare-bones approach to musical showcasing.
The anti-solo became popular in the 1990's with the emergence of
At the turn of the century, the term "anti-solo" came to incorporate not only the chaos solos of the grunge era but also very simplistic, but perhaps theoretically-sound solos.
While the anti-solo is not exclusively guitar-based, stringed instruments are its most common manifestation. Several jazz musicians, including Dave Brubeck, have been known to rely on anti-solos occasionally during live performances as a means of improvising "outside the box".
It is generally regarded by music experts and audiophiles that any kind of
For examples of anti-solos, see:
"Scentless Apprentice" by Nirvana
"Rape Me" (Demo) by Nirvana
"Stop!" by
"Paranoid Android" by
"I Wanna Be Sedated" by The Ramones
"Dude, what's wrong with your ears?"
"I just got out of a Classic Albums Live show. Remind me to never listen to "
In Utero " at full-blast again."
"Chet, they want an encore and we're doin'
Freebird ! Don't screw this up for us. Just play the damn solo!"
"
Bump that . I'm rockin' an anti-solo tonight."
See